Revealing the infrastructures that shape our sense of place

Annette LeMay Burke is a photographic artist and Northern California native based in Silicon Valley. With a degree in geology from the University of California, Berkeley, she has long been attuned to the shifting contours of the western landscape. Before devoting herself to fine-art photography, she worked in the high-tech industry. That experience now informs her exploration of how infrastructures—technological, domestic, geological, and architectural—reshape the land and mirror the complexities of contemporary life.
Burke has received wide recognition for her work, including LensCulture Critics’ Choice, Photolucida’s Critical Mass Top 50, Best in Show at the Colorado Photographic Arts Center’s Annual Members’ Exhibition, and finalist honors in the UK’s Earth Photo competition, where she exhibited at the Royal Geographical Society in London and multiple Forestry England sites. She was also the International Runner-Up for the Australian Geographic Environmental Award at the Head On Photo Festival in Sydney and a finalist for the Hellerau Portrait Photography Award in Dresden, Germany. Additional accolades include winning the Lenscratch Vernacular Photography Exhibition, the Imago Lisboa Photography Festival in Portugal, and being a semi-finalist for the Smithsonian National Portrait Gallery’s The Outwin 2022: American Portraiture Today in Washington, D.C.
Her work has been exhibited in more than 100 shows across the United States and internationally, including the Center for Photographic Art in Carmel, Colorado Photographic Arts Center, Candela Gallery (VA), Griffin Museum of Photography (MA), Los Angeles Center for Photography, Oceanside Museum of Art, the Museum of Nature (Cantabria, Spain), Photo London, and the Association of Photographers (London).
Her images have appeared in The New York Times, Los Angeles Times, The Times (UK), Il Fotografo, Hyperallergic, Sierra Club Magazine, Newsweek Japan, Elle Decor Italy, Fraction, All About Photo, KATALOG, Dezeen, EXIT Image and Culture, The Riv Magazine, L’Oeil de la Photographie, and the Daily Mail. Her work is held in public and private collections, including the Wieland Collection (Atlanta) and the Los Angeles County Museum of Art (LACMA).
Burke’s monograph Fauxliage: Disguised Cell Phone Towers of the American West was published by Daylight Books (2021) with a foreword by Ann M. Jastrab, Executive Director of the Center for Photographic Art.
She is one of the creators and participating photographers of Memory is a Verb: Exploring Time and Transience, a traveling exhibition examining loss, mortality, and legacy that continues to tour museums and galleries across the United States. Burke is also a founding member of Maverick Photographers, a Bay Area collective dedicated to expanding the conversation around contemporary photography.
My photographic practice is an exploration of my deep-rooted connection to the western landscape. I seek out moments where the natural and built worlds intersect, uncovering metaphorical narratives embedded into the terrain. I make images that not only capture the tangible signs of environmental change but also the ephemeral imprints left by the passage of time. Drawing inspiration from my personal experiences and honed observations of the land, I reveal layers of meaning and encourage viewers to reflect on their own memories and connections to place.
Contact: annette@atelierlemay.com